Wednesday, 30 September 2026
Reading List: September.
Sunday, 27 September 2026
Das Lied zum Sonntag
Wamdue Project - King Of My Castle
Must be a reason why I'm making examples of you
Sunday, 13 September 2026
Monday, 7 September 2026
In Love Forever - I’m doing it because my heart chooses you.
In Love Forever: 1x12.
There’s something about the structure of this final episode of In Love Forever that really tickles me, that is so brilliantly constructed. We’ve spent eleven episodes watching Runch and Neen attempting to save their marriage until finally conceding that it was over, but now that they have reached the end of it, there is no acrimony, no shouting and screaming, no conflict at all, just sadness. At the same time, there is so much care, so much deliberateness in creating an ending for themselves that has meaning, that conveys all the things that haven’t been lost: most of all, they still love each other, they do not regret that they have gotten married and have spent that time together, they talk about it fondly. “You have me hope”. “Thank you for loving me so much that I felt like I matter. I never imagined I could mean so much to someone”. None of those words sound like things that you would normally hear from characters that are finalising a divorce, that are saying goodbye and wrapping up a life lived together, beginning a life lived alone. You can hear the tears in their voices even before they begin to fall. It’s deeply sentimental – even going back to the place where they first started, the cafe where Runch spilled her coffee and Neen lent her shirt – shows that this is an exercise in memorising their relationship for its meaning, the deep impact it has had on both of them. They are still the best part of each other’s lives and yet, the scene ends with Neen walking away, sobbing, with Runch pondering the engagement ring that Neen has returned to her, and a two-year period of time where they don’t see each other.
I think about Runch and Neen, unobserved in those two years, living their separate lives and changing in the process, and the process of reconstructing exactly how they have changed from how they appear after. There are hints about what happened: Later Neen will talk about the way that her empty days passed, getting up in the morning, going to work, going to sleep, rinse and repeat. Runch talks about her struggles in France, pursuing her degree, supported by her only friend Natee: the loneliness of a new country and the difficult course. Between the two, Runch has changed more: she hasn’t just lost Neen, but also severed the other major relationship in her life. This new version of Runch is the one she has built without the influence of her mother, with all of her choices being her own, just two years of becoming a person without being pushed towards any particular achievement or version of her life by Kingkamol. This is a version of Runch that no longer lives in a state of constant conflict, of being pulled in two opposite directions at all times while struggling with a work life that she isn’t even sure she really ever wanted in the first place: if there is ambition and drive, it’s her own, for herself, to become who she wants to be. There’s something glorious in seeing that change, a new assertiveness and certainty, a clear sense of happiness – but all of this, dampened by the unchangeable fact that she is still very much in love with Neen. When she is sitting at the Toulouse cafe with Natee, pondering an insta post of Neen with a famous actress, Natee goading her into speculating if Neen is dating someone, they both know already before she admits to it that Runch isn’t even considering dating someone new, or falling for someone else. It’s been two years, but her feelings for Neen hasn’t changed at all, and it’s like Natee already knows that they’ll find their way back to each other, just like Neen’s brother – teasing her about the actress, also knowing fully well she has no intentions or capacity to date her – knows she is still in love with her ex-wife. It feels like a true test of their feelings for each other – they haven’t paled at all during the separations, during their very different lives. The best that Runch’s friend and Neen’s brother can hope for, for the people they love, is that they manage to reunite.
Back in Bangkok for a month with the intention to finish her degree in France within the year, Runch meets up with her father – who tells her, happily and maybe also very intentionally, that he hast just run into Neen who still calls him “dad”, like no time has passed at all. It’s good to see that Runch still has a relationship with her father while apparently having cut off her mother completely to the extent that she knows nothing about her life except what he tells her. It’s a satisfying ending for Kingkamol, and one that Neen’s father predicted. Instead of having to go through the courts to get satisfaction, karma has indeed caught up with her. After getting scammed out of all her money, Runch’s parents have had to build a simpler life, and she has calmed down, and in spite of the struggles, Runch has not saved them financially from ruin, as Kingkamol expected from her daughter. With all of her class anxiety and fears of how Runch would measure up against Neen’s family’s wealth, she ended up being the one losing everything through carelessness and not expecting others to act as duplicitous as she has, gambling away every chance given to her to save herself.
How do we feel about the full-circle moment of Runch returning to the coffee shop – a place that must be filled with so many warring emotions for her, good and bad, deeply sentimental, deeply nostalgic, but also painful – and running into Neen there as if by accident? Did Neen follow her there? Has Neen been going there regularly, hoping to run into her (I think it’s implied that she doesn’t know Runch went overseas) or just reliving her feelings, her memories? Is it just a coincidence, fate? Whatever the right answer is, it doesn’t feel like either of them is genuinely surprised by it, like they both expected it would happen eventually, the same way that everyone in their lives is already guessing that they will eventually end up back together, since neither of them has moved on. This whole scene is a display of how much Runch has changed, like they almost switched places from their first meeting, when Runch was so timid and shy and overwhelmed: here she is assertive, knows exactly what she wants to happen, and seems to be fairly certain that going home with Neen at the end of it is a foregone conclusion. She doesn’t hold back – she starts the conversation by saying that she has missed her, she says, straight up, that she wants to come home to her place, to spend the night with her (“Can I?”). Neen is maybe surprised, because this is a new version of Runch, but she doesn’t seem exactly hesitant – it’s almost like they’ve both just been waiting for that moment, like there’s an inevitability to it almost.
There are all these little moments where, as much as their intimacy comes easy and their attraction to each other is so obvious, there are also hints that Runch is being very deliberate in showing that she has changed, because she knows that if this is going to work out, they have to start differently than they did last time. Where they used to fall into back with each other whenever there was any difficulty to overcome instead of discussing it, she suggests that they sit down and talk first (I doubt they would have gone to sleep in different rooms even if Runch hadn’t suggested a conversation first, with Neen just trying to keep up the pretence that she’s setting boundaries but not being very serious about enforcing them). All the things that Runch reveals here are loaded with subtext and meaning. When she says that she wants to return to Thailand after she finishes her degree, she’s saying that she will return to whatever relationship they are building here, that there are long-term prospects beyond the night they’re spending together. When she talks about her now severed relationship with Kingkamol, she’s revealing that the biggest obstacle to their happiness is gone now, and also that she has found the strength to do something she’s struggled so much with during their marriage. When Neen asks her if moving to France has been hard, she gives an honest answer about her struggles instead of pretending that everything is okay, like she used to, sharing her difficulties instead of bearing them alone. Every sentence serves to reassure Neen about how serious she is, and it’s only then that Neen responds to Runch’s “I missed you” with “I really missed you too”. Runch is deliberately building a foundation before she leans in to kiss Neen.
The morning after, it’s like Neen is waking up to a dream, with Runch next to her. She reaches out and almost touches her to make sure she’s real before stopping herself and collecting herself to go to work, maybe steeling herself to not concede too much too early. But Runch doesn’t let her build up any barriers, she’s already asking to marry her again after just this one night, like no time has passed at all, and there’s such a seductiveness to their easy intimacy with each other, picking up right where they left off without any awkwardness.
Runch: I didn’t tell you last night, that I still love you. I never stopped loving you. I’ve always loved you just the same.
They spend the rest of the month in their shared house which Neen’s dad conveniently hasn’t sold yet, holed up in bed together, deciding to date each other again for now. Then Runch returns to France and Neen flies back and forth every month, eventually acting suspicious enough for her friends to pick up on the fact that her new girlfriend is her old wife. This period spent together is like a reversal of how they used to date before: almost in defiance of the burden that Kingkamol put on them who was always hanging like a dark cloud over them, with the flashbacks always containing a little kernel of doubt and hesitation, of things unsaid even in their happiest moments. They are building a relationship without these burdens, these interruptions, and three years after their divorce, when Runch has returned to Thailand to work as a professor (including the obligatory professor glasses that are arguably pure fanservice), Neen has changed too: into a softer version of herself, allowing herself to indulge Runch in ways that she didn’t when it was Kingkamol who was trying to force her into her image of a good daughter-in-law. Neen now cooks for Runch purely out of enjoyment to see her savour something she’s prepared for her, not to find into a preconceived mould. It’s like they were both trapped in the image that Kingkamol wanted for them before, Runch as the devoted daughter and Neen fighting back so furiously that it didn’t even leave her the space to think about what kind of wife she wanted to be to Runch, and now they both have the freedom to be what they want to each other.
Runch: I thought marriage was about getting people to accept us. But once we lost everything, only then did I realise it has nothing to do with anyone. This time, I don’t want to prove anything to anyone, or explain anything. I just want to ask you, since you’re a woman who’s learned quite a bit about love, will you marry me again?
This time, it’s not to prove anything to anyone. I’m doing it because my heart chooses you. I promise to love you and care about your feelings. I will be faithful. And I promise to stay right by your side through tick and thin. I love you, Neen. You’re the only one I love. Forever.
Neen: I love you too. You’re the only one I love. Forever.
This final episode fulfils the promise of the English title completely. Through these episodes, we’ve watched this relationship being torn apart by a malicious outside influence, where it had to fail in spite of the fact that their feelings for each other never wavered – and now they’ve rebuilt that relationship stronger, getting a second shot at it. In the end, it’s just the two of them – with the addition of a dog – a family of three, starting their relationship the way they always wanted, taking care of each other.
Random notes:
Kind of loved and giggled a bit at the barista picking up right where she left off, shamelessly flirting with Runch (calling her a phi sao khun suay even!)in spite of still thinking she’s married (and having gotten an impressive display of Neen’s jealousy previously), just shooting her shot and who can blame her, respect the hustle.
I like that there are no other characters for the entirety of the reunion arc: it’s just Runch and Neen, finding each other again, rebuilding without any outside influences.
Posted without further comment: “More than kissing is okay”, “Take the glasses off first, they’re in the way”, “I’m the best dessert”. Thank you, P’Jaew.
Monday, 31 August 2026
Reading List: August.
In Love Forever - You caused all this.
In Love Forever: 1x11.
There are some things that happen in this episode that make me want to write about the genre in general, beyond the scope of just In Love Forever: what it means to only have twelve episodes (still, better than just eight!) to tell a full story, the kind of pressure on pacing that brings, the inherent tendency of Thai GLs to pack new story-lines into the final few episodes that feel like an internal logic that is hard to follow for people not raised on Thai lakorns (or in my case, any kind of soap-operas). But first, I want to go back to what this episode does achieve, which I think gets a bit muddled and covered up by the 20-minute-kidnapping plot that feels like an awkwardly positioned line-break. There’s this bit of dialogue in the confrontation between Runch and her mother at the beginning of the episode, when Kingkamol has found out from her friend that there are rumours about her daughter’s divorce, but instead of returning home, Runch has stayed alone in the house, already making it clear that this will not be the outcome that Kingkamol desired from the beginning. Runch explains the emotional devastation of having lost Neen, and what it means to her that her mother has made her lose the most important person in her life. Kingkamol counters furiously that this should make Runch understand what it meant for her to lose her daughter. On the surface, it’s a cogent argument, but it falls apart as soon as anyone investigates it further: for one, there was no reason for Kingkamol to lose her daughter through the marriage. After all, Neen’s mother hasn’t lost anything – from her perspective, she’s gained a second daughter, not lost her only one. It was Kingkamol’s decision to turn this into a zero-sum game, to turn this into a conflict where Runch had to choose between Neen and her mother. The whole idea that the core conflict of the show is Runch having to choose between her mother and her wife is false and only enforced by Kingkamol, but the idea of it goes so deep that even Neen used it as an argument when she explained to Runch why she was asking for divorce. “You can go back to being a daughter now”, disregarding all the work that Runch has been doing to really understand the nature of her mother’s attachment to her and what it has done to her life. Runch understands now that the choice has never been between her mother and her wife, but between Kingkamol and being able to live her own life, find her own happiness, to be her own person. This is how what should be Kingkamol’s great moment of triumph - finding out that her daughter is getting divorced, with her friend surprised that Runch hasn’t moved back home already – turns so sour for her. Instead of leading to a reunion, it just enforces Runch’s determination to lead her own life, especially when Kingkamol continues to refuse to see what she had done to Neen and to Runch, continues not to take responsibility for her actions, even says she would have done more violence given the opportunity to punish Neen. Instead of bringing her daughter back to her, it makes her say the final, to Kingkamol incomprehensible words: “If you keep acting like this, you won’t get a single dime from me. We’ll go our separate ways. I don’t even want to know if you’re sick or on your deathbed.” It’s a threat that goes beyond what she’s said before, when she promised to continue to financially support Kingkamol as tribute to her devotion to her, when she said that they would only speak when things were truly serious. It’s a complete severing of their relationship. Functionally, Runch is saying that Kingkamol would cease being her mother.
I think the reason for the kidnapping plot is that this step to a complete separation between mother and daughter is culturally so taboo and unthinkable that it requires another unforgivable act from Kingkamol, one that is so irrational, so unfathomable, that it makes Runch’s decision culturally legible. It’s not enough that she insulted Neen, tried to find a new wife for her daughter while she was still married, attacked her in broad daylight, threatened more physical violence. Here she contacts Att, who has realised that the consequences of messing with Neen’s family are more severe than he thought – he’s basically been blacklisted and unable to find work – and contracts a kidnapping from him. It’s a reversal of their previous relationship, where Att fully manipulated and profited from Kingkamol’s break-down: here she is using the only pawn still in play for her to do something horrible to Neen, something that is sure to leave psychological scars, and something that, above all, could have gone fatally wrong if Att did anything competently. The episode doesn’t spell it out explicitly (I think the kidnapping plot would have more bite if it did) but if you think about it, from the moment that Neen recognises him (unfortunately this has been cut from the episode, but it’s clear she has when he takes off his mask, which has lost its use), there is no way that Att can allow her to leave the situation alive, because the 30 million will be of no use to him if she can identify him after. Additionally, the show has made it clear that Att is driven by completely irrational jealousy and wants revenge, two motives that, combined with the gun he brings along with him, hint that there was an outcome here that Runch only narrowly avoided when she hit him with the branch (Orm said: an appearance of p’tawan, not P’Tawan) just before the police arrived.
But, let’s go back to before the kidnapping plot, to the emotional centre of the episode. I think it’s interesting that Runch is, for the most part, alone in her processing of the divorce. She doesn’t have friends around to support her, her mother is obviously of no use, she doesn’t appear to be speaking to her own father about it. She is alone in the house they used to share and the ghosts of their relationship are everywhere to haunt her and torment her, all those shared memories that live in her bones. Still, Neen, surrounded by her family and friends, feels more alone and isolated in this episode than Runch. It’s not just the divorce itself that she is struggling with but it seems that her mind is caught up in a loop where she is questioning everything about their time together, voicing that she feels like Runch was never happy in the marriage, that she has always sacrificed herself, that she has suffered because of her, as if she’s internalised all the things that Kingkamol has said. When she goes to the beach – where so many of their happy memories happened – and remembers the past, it feels like she gets caught up in all those small hints of trouble that always coloured the coda scenes in a slightly different light: Runch talking about her struggles, asking her to be there for her difficult days. “Sometimes disappearing is the only way for the one you love to be truly happy”, her deeply concerning insta post, summarises it, but it is also the opposite of everything that Runch has ever verbalised about her feelings for Neen, it’s just that Neen in this mental state can no longer imagine how important she is to her. Runch comes to find her as she’s wading into the ocean fully clothed and draws her own conclusions.
Runch: Why are you hurting yourself?
What are you talking about. I’m not hurting myself. I just wanted to be in the water where it’s quiet. Neen: So my heart could take a break. I want to forget everything for a little while to quiet my mind.
Twice Runch shows up in this episode to save Neen, proving how much she cares, being the first to arrive at the scene. The second time, she puts herself between the gun and Neen. The sadness of the episode, and the show, is that the only thing she salvages through her actions are Neen’s feelings about the marriage: making it clear that she has no regret, that would marry her again, that she would still choose her, that she will always love her, none of which changes Neen’s decision about the divorce. It just means that they are divorcing with their happy shared memories intact, untouched by all that has happened, because they are theirs: it’s the one thing Kingkamol can’t take away from them.

Random notes:
A coda that provides a third time that Runch saves Neen, this time by patching up another cut with the precision and focus of a surgeon, saying “if something were to happen to you, I wouldn’t be able to go on”. The scene captures their dynamic, Neen’s played up whininess to get exactly the kind of loving care she wants from Runch, and how happy Runch is to give it, even if it is just a little cut. How long until they find their way back to one another?
How do we feel about Kingkamol’s punishment coming through karma, not the legal system? I think the greatest punishment for her is the certainty that her actions after Runch threatened to cut off contact completely mean that she’s lost her daughter – and even her husband is saying to her he’d like to see her go to jail to straighten her out. The immediacy of the scam phone call is very convenient (after all, I feel like we live in a world where there’s very little karma for the most destructive people, but sometimes it’s nice to live in a dream for a bit).
I hope this is the last we’ll see of the utter and complete loser that Att is. After all that, truly only good at gossiping.





