Talking about bitterness – with all the fluff, all the happiness that carries the episode – it almost fades by the end of it, but it is difficult not to sometimes still feel it in the back of your throat, like an unexploded bomb quietly ticking away underneath. This is true especially with how the episode begins, and there’s something about Runch here, leading up to their trip, that shows pretty clearly already that this happiness won’t last. A character that constantly falls back into ignoring problems because they are too big to solve or would require radical decisions they’re not ready to make can be frustrating to watch, even if all of her actions come from either love or devotion to her mother. I’m torn about whether I believe that she knows exactly what her mother is trying to do the moment she walks into her house and finds her sitting there with Meilin, or if she is naive about Kingkamol’s motives, not realising the great lengths she will go to to rid herself of Neen, still maintaining an image of her in her head that sees her mother as protective but not vicious. She must realise, the moment she walks in and finds her almost jittery with excitement, that she has been lured home as a ploy (proving Neen’s immediate reaction upon receiving her message, “I bet the old hag is faking it”, true), that her mother does not in fact require her to take her to the hospital, and her high blood pressure, if anything, is due to finally having come up with a plot that will truly hurt Neen in a way that sticks. It’s the whole way the scene unfolds: the excited introduction of Meilin as the childhood friend who used to play with her (long enough ago that Runch doesn’t seem to remember her very vividly, while she has left such a big impression on the younger woman), the attempts to connect them through their shared careers (which Meilin has chosen because of Runch, because Runch is her idol among other things), Meilin’s wide-eyed excitement at seeing her and the way she receives her career guidance, and her phone number. Runch does strike me as the kind of person that would be unaware of someone having a crush on her – I think if Neen hadn’t been so forward and clear about her intentions, Runch would have been very much in the dark and never made the first move – but she should be able to read her mother well enough to see what she is planning. She’s also very well aware how jealous Neen is – remember her reaction at the coffee shop, and that was just a friendly interaction with a regular barista – and knows to keep Meilin’s whole existence a secret up to the point where she has to explain it. It’s kind of defensible based on the fact that from Runch’s perspective, she’s just helping an old childhood friend get settled in her career and she knows that bringing it up would upset both Neen and the very, very brief period of peace they’ve achieved since Neen managed to take full revenge on Kingkamol, but it’s also the actions of someone who has spent a lot of energy and effort on controlling what information Neen has about her life (remember how long she kept her struggles at work a secret).
Monday, 6 July 2026
In Love Forever - When it comes to you, I’ll always remember.
Talking about bitterness – with all the fluff, all the happiness that carries the episode – it almost fades by the end of it, but it is difficult not to sometimes still feel it in the back of your throat, like an unexploded bomb quietly ticking away underneath. This is true especially with how the episode begins, and there’s something about Runch here, leading up to their trip, that shows pretty clearly already that this happiness won’t last. A character that constantly falls back into ignoring problems because they are too big to solve or would require radical decisions they’re not ready to make can be frustrating to watch, even if all of her actions come from either love or devotion to her mother. I’m torn about whether I believe that she knows exactly what her mother is trying to do the moment she walks into her house and finds her sitting there with Meilin, or if she is naive about Kingkamol’s motives, not realising the great lengths she will go to to rid herself of Neen, still maintaining an image of her in her head that sees her mother as protective but not vicious. She must realise, the moment she walks in and finds her almost jittery with excitement, that she has been lured home as a ploy (proving Neen’s immediate reaction upon receiving her message, “I bet the old hag is faking it”, true), that her mother does not in fact require her to take her to the hospital, and her high blood pressure, if anything, is due to finally having come up with a plot that will truly hurt Neen in a way that sticks. It’s the whole way the scene unfolds: the excited introduction of Meilin as the childhood friend who used to play with her (long enough ago that Runch doesn’t seem to remember her very vividly, while she has left such a big impression on the younger woman), the attempts to connect them through their shared careers (which Meilin has chosen because of Runch, because Runch is her idol among other things), Meilin’s wide-eyed excitement at seeing her and the way she receives her career guidance, and her phone number. Runch does strike me as the kind of person that would be unaware of someone having a crush on her – I think if Neen hadn’t been so forward and clear about her intentions, Runch would have been very much in the dark and never made the first move – but she should be able to read her mother well enough to see what she is planning. She’s also very well aware how jealous Neen is – remember her reaction at the coffee shop, and that was just a friendly interaction with a regular barista – and knows to keep Meilin’s whole existence a secret up to the point where she has to explain it. It’s kind of defensible based on the fact that from Runch’s perspective, she’s just helping an old childhood friend get settled in her career and she knows that bringing it up would upset both Neen and the very, very brief period of peace they’ve achieved since Neen managed to take full revenge on Kingkamol, but it’s also the actions of someone who has spent a lot of energy and effort on controlling what information Neen has about her life (remember how long she kept her struggles at work a secret).
Sunday, 5 July 2026
Das Lied zum Sonntag
In the dark we are waiting for you
With your dying need for their attention
Hold on tight now, we won't let you fall
Tuesday, 30 June 2026
Reading List: June.
Monday, 29 June 2026
In Love Forever - This is why I could never get over you.
In Love Forever: 1x02.
We pick up seamlessly where we left off in the previous episode. Runch’s mother has thrown a vase out of anger and frustration, and a shard cut Neen’s leg. It’s an escalation of their years of fighting that Kingkamol knows has crossed a line, and it is clear from how Runch removes her from the house – determined, quickly, without doing anything to reassure her that she understands that it was an accident – that makes it clear that this is a turning point. It’s clear from the face she makes right before leaving that it hasn’t made her change her mind about her approach to Neen, that all she is concerned about here is Runch’s reaction, not the harm she has actually done.
Inside, Neen seems stunned, shocked out of being able to even have a fight about what just happened. She just keeps saying “don’t” to Runch’s attempts to soothe her. The scene of Runch patching up the wound is so significant. It might be a placed advertisement, but it also fits into both the characters and the situation perfectly. Here’s Runch, meticulously running through all the steps of cleaning and disinfecting the wound, then applying a plaster with the words “sorry” on them, gently blowing on the wound like you would for a child. It shows her care and love, but beyond the physical act of applying a bandaid to a wound, symbolically, she is trying to patch up a gaping injury – that her mother is inflicting upon their marriage – with a bandaid and a sorry, and as such, nothing she does here could possibly be enough. She apologises on her mum’s behalf, but she must also know that her mother, given the opportunity, would never apologise for what she has done, and so it won’t change anything real about the dynamics of their relationship.
It’s also important to remember that Runch and Neen are not on the same page about each other because they don’t talk. Neen thinks that the only way that Runch would have ever asked for a divorce is if she didn’t love her anymore, while Runch has explained to her overseas friend that the opposite is true: she asked because she loves Neen so much that she wants to protect her from the harm that Kingkamol is causing her, specifically because she feels that the conflict is changing her wife, forcing her to become hardened and less innocent (and the episode will show just how much this is true). From Neen’s perspective, Runch’s clearly demonstrated love and care are confusing, because she is trying to create the emotional distance to grapple with the coming separation, but all these acts of love just remind her of why she fell in love with her in the first place – “You always act this way. This is why I could never get over you.”
At the same time, Runch is following Neen’s clear instructions. For the four months that they are forced to remain together, she will act like a devoted wife – except it isn’t an act, because that’s exactly what she is – and in addition, Neen requested that she be allowed to break her mother’s heart just once, which is what she will do her best to achieve in this episode. The prospect of at least exacting revenge against the woman who has destroyed her marriage is the one thing that really lights her up here, and it’s so easy to do with how reactive Kingkamol is to any suggestion that there are parts of her daughter she cannot control.
Sunday, 28 June 2026
Monday, 22 June 2026
In Love Forever – As a wife, you’re the worst.
In Love Forever: Episode One.
In Love Forever begins with Runch and Neen in the bedroom. There’s a dreamy sense of unreality even before the moment is revealed to be a dream: the lighting is captivating, the theme song from the title sequence repeats, transporting the viewer right into the story. If you had read the novel, it would be a moment of slight disorientation: at what point in their relationship are we entering here? If you hadn’t, you would just be drawn in by the clear intimacy and closeness, the sense of longing. The fact that it is a dream – Runch’s dream, which is cruelly interrupted by a phone call from her mother – twists the whole meaning of the scene. Here’s Runch, portrayed to have lost control in all areas of her life, a character that we will see taken apart in this first episode, asserting control, asking for what she wants, placing Neen’s hand where she wants it, asking Neen to let her be in charge (“Will you let me set the melody for us tonight?”). Even the deeply romantic “You don’t have to talk. Just listen to my heartbeat” gains more meaning through the lens of a dream: Runch is a character who finds it impossible to talk about her emotions with her partner, which is the whole crux of their failing relationship, but here she is voicing that all of her love and feelings can be conveyed if only Neen “listens to her heartbeat”, or gains a deeper understanding of her not through words but through trust and closeness alone (when in reality, Runch’s inability to express herself leads to misunderstandings and misinterpretations). To Runch, what should get them through, what should keep their relationship alive, is the depth of their feelings. And then, the phone goes off, Runch wakes up to the empty space next to her on the bed (there seems to be a blissful moment right before the reality of her own life catches up with her), not even safe from the intrusion of her mother in her own head – it’s a masterful way of showcasing how there is no safe space for her, not in her house, not in her relationship, not even in her dreams. It’s a claustrophobic sense of overwhelm and exhaustion that continues through the episode and escalates as we follow her through other spheres of her life.
Sunday, 14 June 2026
Das Lied zum Sonntag
Die Sterne - Das bisschen Besser (on Wo ist hier)
Und dann arbeitet man sich heran
An das, was man in der Dunkelheit vermuten kann
Weil die doch einiges verspricht
Nur Licht gibt es hier leider nicht


